Luís M Madureira
Luso-Brazilian colonial and postcolonial studies, Modernism and Modernity in Latin America, Africa and the Caribbean, early modern and colonial studies, theatre and performance in Africa.
2010 (Feb.-Dec.), Fulbright Teaching and Research Grant (Mozambique)
2009-2011, Vilas Associate Award (UW-Madison)
2006, University of Massachusetts-Dartmouth, Samuel Stone Distinguished Alumnus Award
2005, 2006, Instituto dos Arquivos Nacionais / Torre do Tombo, Research fellowship
2004, Luso-American Foundation for Development, Research fellowship
Cannibal Modernities: Postcoloniality and the Avant-garde in Brazilian and Caribbean Literature. Charlottesville and London: University of Virginia Press, 2005.
Imaginary Geographies in Portuguese and Lusophone African Literature: Narratives of Discovery and Empire. Lewiston, NY: Edwin Mellen Press, 2007.
“No Telephone to Heaven: Post-Colonial Writing, the Pursuit of Freedom and Colonialism’s Genocidal Impulse.” Post/Colonialism and the Pursuit of Freedom in the Black Atlantic. Jerome Branche, Ed. Forthcoming by Routledge.
“Adrift Between Neoliberalism and the Revolution: Cape Verde and the South Atlantic in Germano Almeida’s Eva.” The Global South Atlantic. Eds. Kerry Bystrom and Joseph R. Slaughter. Forthcoming by Fordham University Press.
"Performing like there's no tomorrow: Theatre, War and Social Precarity in Mozambique." Enchantings: Modernity, Culture and the State in Postcolonial Africa. Ed. Teju Olaniyan. Forthcoming by Indiana University Press.
“Uma coisa fraterna [A Fraternal Thing]: Mia Couto’s Collaboration with the Mutumbela Gogo Theater Group in the 1980s.” A Companion to Mia Couto. Grant Hamilton and David Huddart, eds. James Currey Press, 2016: 25-48.
“‘Where God is Like a Longing’: Theatre and Social Vulnerability in Mozambique.” Imagining Human Rights in Twenty-First Century Theater: Global Perspectives. Eds. Florián Becker, Paola Hernández and Brenda Werth. New York: Palgrave MacMillan, 2013: 45-66.
“Lusofonia: From Infancy to Necrology, Or, the Peregrinations of a Floating Signifier.” Portuguese Literary and Cultural Studies 25 (2013). Special issue: Lusofonia and its Futures: 66-81.
“‘A Flat Carnivalesque Intention of Being a Cannibal’,” Or, How (not) to read the Cannibal Manifesto.” Ellipsis 9 (2011): 13-33.
Mozambican theatre, Luso-African fiction and Portugal’s early modern empire.